Anna Engelhardt

Anna Engelhardt (b. 1994, Russia) is a media artist, researcher, and writer based in London. Her main interests are the (de)colonial politics of algorithmic and logistical infrastructures in post-Soviet space. Anna is currently conducting her PhD on the electromagnetic infrastructure of Russian cyber warfare at Queen Mary, UoL, under the supervision of Laleh Khalili and Elke Schwarz. She is a part of the Digital Democracies Institute, where she contributes to ‘Cyberwar Topologies: In Struggle for a post-American Internet’ project with her research on Russian cyber warfare. Anna’s recent projects include: Machinic Infrastructures of Truth (2020), an inquiry into the production of algorithmic surveillance, presented at Transmediale as a part of ‘Adversarial Hacking’ symposium; Adversarial Infrastructure (2019), an investigation of how the Russian Crimean Bridge functions according to principles of adversarial machine learning, presented at Ars Electronica Kepler’s Gardens and 67th International Short Film Festival Oberhausen. With Sasha Shestakova, Anna is a co-founder of the research unit Distributed Cognition Cooperative.

Оlga Bubich

Photographer, photo critic, photobook reviewer, lecturer and translator. Has Master’s Degree in General Pedagogy, graduated from Minsk State Linguistic University, majoring in English and Italian; English, American and Italian literature.

Since the late 1990s, has been engaged in cultural journalism: collaborates with a number of Belarusian and foreign paper-based and online mass media outlets. Regularly writes about photography for “Bird in Flight” online magazine (Ukraine) and site (Russia) since 2016 being in charge of “Tomorrow’s Photography with Olga Bubich” column and photobook reviews. In 2016-2017 had the experience of “Bleek Magazine” co-editing. 

Since 2016 has been a member of the team of “The Month of Photography in Minsk” festival.

The author of “Conversations about the rules of the game” book with essays and photographs (2009, “Logvinau” Publishing House, Minsk) and “Bigger than I” photobook dedicated to the phenomenon of “Chernobyl kids” (2019). In January 2020, the photobook was presented at “Booked” Tai Kwun Festival in Hong Kong and became a part of the collections of photobook museums in Hong Kong and Gothenburg.

Studied photography at workshops of Claudine Dory, Xavier Fernando Fuentes, Alexey Nikishin, Andrey Polikanov and Tatiana Plotnikova. Is a participant of about 20 collective and solo exhibitions in Belarus, Russia, Ukraine, Armenia, Latvia, Germany, Italy, the Netherlands. Curated 3 exhibitions of young Belarusian photographers.


A.Pashkevich is a pseudonym that the author of this text has asked the platform editor to use due to personal safety reasons.

Andrey Vozyanov

Andrey Vozyanov is a social anthropologist (Ph.D. in Social Anthropology), sound-designer and lo-fi musician (kate in the box, Novy Byt) based in Minsk. Since 2016 he is a researcher and editor at Minsk Urban Platform and is currently working on a podcast show about post-Soviet urbanism which he questions from the perspective of a Minsk citizen. Since 2018 he has been teaching media and communications at European Humanities University, Vilnius. In 2020 he developed a lockdown podcast Excursions Through an Mp3-player, which came out of Facebook audio-diary, drawings, and seminars, but remained unreleased due to the events of summer 2020 in Belarus.

Nadya Sayapina

Nadya Sayapina is an artist and art educator born and based in Minsk. Her artistic practices include performance, installation, land art, painting, and text. She explores mediation in art through the performative and processual practices, and works with the topics of body, self-reflection, memory, and feminism. 

Sonia Hedstrand

Sonia Hedstrand is an artist, writer, and teacher who works at the intersection between documentary film, art installation, and sociological investigation, through mediums like text, video, photography, and performance. She is an alumna of the Whitney Independent Study Program 2012, and holds an MFA from The Royal Institute of Art in Stockholm 2011 and has done six years of studies in Humanities at Stockholm University 1995–2001. She has worked as an art critic and reporter, and participated in several artistic collaborations and collectives. In her latest research-based project Life in 2.5 dimensions, Sonia analyzes, through documentary field work as well as work-theory, the increased incidence of emotional, performative, and aesthetic labor, especially with a focus on the Japanese experience-economy with relationships for rent.

Aleksei Borisionok

Aleksei Borisionok is a curator, writer, and organizer who currently lives and works between Minsk and Vienna. He is a member of the artistic-research group Problem Collective and Work Hard! Play Hard! working group. He writes about art and politics for various magazines, catalogs, and online platforms. His writings were published in pARTisan, Moscow Art Magazine, Springerin, Hjärnstorm, Paletten, among others.  The focus of his current research is the temporalities of postsocialism.

Uladzimir Hramovich

Lives and works in Minsk, Belarus. He graduated from the Gymnasium-College of Arts named after I.O. Akhremchik in 2009 and the Department of Graphics at Belarusian State Academy of Arts in 2015. Hramovich has been a member of Problem Collective since 2016. In his art he addresses memory, history of art and architecture, and their influence on politics. 

Sjamme van de Voort

Sjamme van de Voort is a memory studies scholar, born in the Netherlands, grown up in a forest in Denmark, who over the last decade has been taking his work from Denmark, through the US, Cuba, the UK to Sweden. Trained as a historian (Aarhus University, BA 2011 & MA 2015), he is currently working on a PhD project at the Centre for Research on Cuba at the University of Nottingham (2015-). In this work, he investigates the cultural memory that provides the mnemonic framework for Cuban-American population of Miami Dade County, aiming at developing a methodological approach to engage with diaspora memories in order to understand perceptions of the future.

He has taught courses on memory studies and approaches to traumatic memories at BA and MA level at universities in Denmark and Sweden. Besides academia, Sjamme has worked as a political risk analyst with a focus on the Caribbean, while also providing expert knowledge to human rights organisations working in countries related to his specialism. Since he became a partner in The Imaginary Agency, a platform established by Moniek Driesse, these interests and expertises became an integrated fixture of the ongoing exploration of the relations between cultural memory, human rights and environmental justice. The most recent exploration of Sjamme’s work within The Imaginary Agency is the current establishment of a cultural exchange project with established Danish and Cuban hip-hop artists, including students from Silkeborg Højskole.

Moniek Driesse

Moniek Driesse is a design researcher, who was born in a tiny village in the Netherlands, but has been wandering through the megalopolis Mexico City for quite some years, before moving to Sweden. Trained as a designer (Design Academy Eindhoven, ba 2007) and architect (Universidad Nacional Autónoma de México, ma 2013), she is currently working on a PhD project at the Department of Conservation of the University of Gothenburg (2017-). This research is carried out within the framework of the CHEurope Research School, a Marie Skłodowska-Curie Actions Innovative Training Program focused on Critical Heritage Studies and the Future of Europe and embedded in the Curating the City work cluster.

Besides academia, Moniek established The Imaginary Agency as a platform to explore the subjective nature of human experience in order to understand it in its context and to promote socio-cultural change through the agency of imaginaries. In situated flux, she has collaborated with fellow professionals, foundations, cultural institutions, universities, and, most of all, inhabitants, working on diverse projects focused on public space in vulnerable urban areas (mostly in the Netherlands and Latin America) and the development of tools for dialogue and knowledge exchange. Memory studies scholar Sjamme van de Voort has recently become a partner in the Agency. Moniek and Sjamme will continue to explore the relation between cultural memory, human rights and environmental justice, through the analysis and interweaving of various modes of knowledge production and diverse creative practices.