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(non)work 2020 Belarusian protests Heritagization Hidden Life Legal Issues Professional Community Role in Society Spaces and Institutions Status Research Results Work Conditions

BELARUSIAN ENTROPY: AS IRREVERSIBLE AS IT IS HARD TO PUT THE TOOTHPASTE BACK INTO A TUBE

"My personal story is a simple and, alas, a widespread example of the regime repressions, described by the new expression “If you were not in prison, then you are not a Belarusian”. I was sentenced to 15 days for participation in an unauthorized event (Article 23.34). ... My imprisonment led to an acquaintance with women of different ages, characters, spheres of activity and interests, forms and manifestations of their civil position."

LAZY SIMULATOR

The (non)work group presents an ultimate guide into the pleasures of laziness, radical idleness, non-work, and unproductivity. Together with the invited experts (n i i c h e g o d e l a t, Welcome to the DollHouse, Mila Pavicevic and Aleksei Borisionok) “Lazy simulator” assembles techniques, exercises and methods on how to waste time in the most political way.

PRODUCTION DRAMA: LABOR AND LAZINESS OF ARTIST IN BELARUS

In this essay, curator and writer Aleksei Borisionok addresses labor structures and working conditions within the artistic field of the USSR and Eastern Europe, and continues with a closer look at Belarus, focusing on its outrageous “parasitism tax” and the artistic reactions to it.

CURATORS, LIBRARIANS, SOCIAL PARASITES: OUR LEGAL STATUS AS CLARIFIED BY A LAWYER

Alena Chekhovich, a lawyer from a Belarusian human rights organization Human Constanta, examines the Culture Code in detail, discussing in simple terms the concepts of cultural and creative workers, registration and taxation of the activities of creative workers, the process of obtaining a certificate of a creative worker and much more.

IN SEARCH OF A STATUS

Belarusian artist Uladzimir Hramovich talks about his experience in obtaining the official status of a cultural worker – a forced reaction to the Belarusian law on “not employed in the economy”. The artist describes the process of collecting documents for the commission, the committee meeting at the Ministry of Culture and shares his reflections upon the state of Belarusian contemporary art as well as his civic position.

WHY I, AS AN ARTIST, LOVE TO COLLABORATE WITH RADICAL, SELF-ORGANIZED INITIATIVES

Using her project Sauna for the Unemployed as an example, Swedish artist Frida Klingberg talks about her experience in working with self-organized initiatives, comparing and contrasting it to the traditional art world hierarchy, which praises individualism.

WE ALL WORK TILL DEATH

Photojournalist and visual artist Maxim Sarychau reflects on financial insecurity and exploitation in the field of art and photojournalism. Are we free fuel? Or did we learn how to say no? “It seems that no state union or existing independent organization can defend our rights today. We all found ourselves in a crystal clear situation: self-organize or die.”

DESIGNING THE PARALLEL SOCIETY IN BELARUS: ADDRESSING THE DICHOTOMY OF STABILITY AND UNCERTAINTY

Independent researcher Elisabeth Kovtiak presents the results of the workshop of the STATUS project, Designing the Parallel Society, which was led by two Swedish artists John Huntington and Lars Noväng in Minsk. As a response to the problematic aspects of the Ministry of Culture and the KGB, and a wider problem within Belarusian official discourse, the workshop team invented the Ministry of Uncertainty – a space to train one’s ability to become an active member of society and to enjoy it.

NOBODY SPEAKS WITH ME AS THOUGH I WAS A HUMAN BEING

Curator and researcher Tania Arcimovich presents the final version of the essay, based on a collection of personal reflections from the everyday life of cultural workers from Belarus. She questions why non-public and non-visible lives full of anxieties and affects hardly could be found in artistic bios and CVs.

THE CONGRESS-PERFORMANCE OF CULTURAL WORKERS

November 23, 2019 in Minsk will host the Congress-performance of cultural workers initiated by the members and participants of the project “STATUS: The role of artists in changing society” (Belarus and Sweden). During the one-day event, there will be discussions and conversations, workshops and performances, as well as presentations of the artworks related to the issues of working conditions and legal status of artists in Belarus and Sweden, defending rights, equality, gender and age. Congress invites professionals from the field of culture and arts, as well as anyone interested in the stated topics.

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